We’ve been quiet here at Cinderella’s Broom as the world stage turns. Our silence isn’t passivity or boredom, but the sound of research and election lag.
Currently, Cinderella is pursuing another line of inquiry on Sandy Hook that’s proving fruitful. It will require a long timeline, so be patient. In the meantime, I’ll post what seems like novel insight into topics that have a bearing on Sandy Hook.
Here’s a thought: Like the Sandy Hook event, this year’s electoral process was a modern masque, an upside-down-and-backwards show managed by elitists. Instead of inviting serious reflection on the many issues we face, it presented illusion in multiple acts. Entertainment. Spectacle. Mass histrionics. Is it any surprise? Of course not. A front row seat in the amphitheater is what passes for life these days.
On that theme, some observations that aren’t original, but bear repeating:
Gaslighting. Corporate media has been creating, packaging and branding the news for years, like bags of GMO popcorn. But now technology and mind-control techniques have enabled their political masters to fake the polls, flip the votes and gaslight the public. They can pump up their candidate with bogus virtues and botox, magnify the sins of the opposition and steal the show. And when you, the astute observer, point this out to your liberal friends, you are the crazy one. Who wants to be the token paranoid? You probably maintained an uneasy silence.
Last-minute script changes. Prior to the election, the Democrat governor of Virginia released and granted voting rights to 60,000 convicted felons, creating a sudden surge of Hillary fans. She won the state by around 60,000 “popular” votes, perhaps coincidentally; perhaps not. But what a move. The acting governor must have had a good laugh at the expense of his constituents.
Hollywood. Need I say more? The usual suspects, from Cher to that sociopath Amy Schumer, were out in full spate, telling us useless eaters what to think.
Outright lying. The bought and controlled media scripted, inverted and rescripted its lies. It attempted to convince the public that Clinton’s psychopathic greed was good. It vaunted her statesmanship, despite endless examples of murder, collusion and corruption at the expense of our nation and far more vulnerable ones, plus a whole generation in Libya. But despite every unfair advantage, Clinton still couldn’t pull it off – because of Wikileaks, the alternative media and awakened people. Pesky reality drew the curtain back.
Backstage machinations and trick lighting. With the media’s help, the DNC took down Sanders. And thanks to generous applications of green screens and misleading camera angles, they managed to make Clinton’s puny audience look bigger than it was while downplaying Trump’s.
Blame the audience. The real people who voted for Trump were portrayed as unreal “deplorables” – stupid, misogynistic, racist, homophobic, uninformed dupes. The real people who voted for third party candidates, or opted not to vote at all, were simply ignored.
Laugh track. See this. It’s so good to be able to laugh back.
Who’s Afraid of Hillary Wolfe? Remember Edward Albee’s famous play, Who’s Afraid of Virginia Wolfe?, made into a movie starring Richard Burton and Liz Taylor? Possibly the most depressing look ever at two monstrously vindictive spouses destroying each other and everyone around them. One can easily imagine Hillary in the role of “Martha,” throughout her campaign. Final scene: Cooked and crocked, unable to give her concession speech, the defeated Hillary calls a close friend, according to sources, whining and screaming that it was all FBI Director Comey’s fault and that Obama hadn’t silenced him soon enough.
Puppet show with crisis actors. Now we see Clinton’s mind-controlled supernumeraries smashing through cities, led by bused provocateurs and – likely – crisis actors. Many of the same millennials who supported Sanders are now demonstrating in her behalf. All for a dragon lady – said by a knowledgeable source to be a coven witch – who consorts with blood-swilling Satan worshippers and pedophiles.
Sudden, unexplained plot/role reversals. Writers adore irony. The producers of the Clinton travesty, including the toad-faced satirist Michael Moore, seem to adore hypocrisy. Now Clintonistas are blaming the MSM for their loss, saying it was biased in favor of Trump. (Click here.)
Acute, pernicious melodrama. This video by The Daily Sheeple puts it all into perspective.
Violent street theater. Today’s news is a rejected Game of Thrones script mounted and staged on real streets. With more to come. Let’s just hope that real people won’t jump on the stage. Warning: this is a false-flag setup that will be blamed on conservatives.
If only the Soros-funded controllers could be convinced:
- The awakened audience panned the show.
- The public is filing out.
- And the new world order’s creaky stage is condemned.
But this is theater. It isn’t over yet.